Free admission, online registration is encouraged, the first 10 registrants will get a free drink.
免費入場，歡迎線上登記，首10名登記者更可獲免費特飲一杯。

實驗室狂想：對話與連線（新加坡x台北x澳門）
​Lab Rhapsody: Converse and Connect (SG x TP x MO) 

不同的舞蹈影像平臺有著不同的能量、願景、視野、性格和特質，各個平臺之間的相互作用力如何體現在舞蹈影像的對話、交流、分享與合作呢？是次對話以“實驗室系列”為起點，特邀來自新加坡/香港，以及台北之策展人一起現場對談，連同Rollout策展人，三地分別放映精選自近年之實驗製作之代表作，並就當中的趣事、機遇與挑戰來個大剖白！

活動將包括兩部份：放映及對談分享。一起觀賞特邀策展人精選短片，聽聽背後的(拆彈)實戰經驗，如何上下海，挑戰不可能，更歡迎大家一起嘗試換位思考，實驗室製作可以有多深、跑多遠、滾多猛呢？

特邀嘉賓：
  • 葉奕蕾(Elysa Wendi) -新加坡Cinemovement平台的創辦及策展人（線上實時參與）
  • 彭筱茵-台北舞映島創辦人及舞蹈生態系創意團隊藝術總監(現場對談）

活動詳情：
日期：2025.01.16 （星期四）
時間：20:00-22:15  
語言：對話將以普通話為主進行
地點：澳門教區社會傳播中心放映室（澳門大會堂內）
How do different dance film platforms, each with its unique energy, vision, character and nature, interact in dialogues, exchanges, and collaborations?
Take "Lab Series" as a starting point, this sharing session invites curators from Singapore/Hong Kong, and Taipei to join ROLLOUT’s curators for a live discussion. The event includes screenings of recent experimental productions from lab platforms, offering insights into the challenges, opportunities, and anecdotes of lab creations.
The session will feature two parts:
Screening of curated experimental dance shorts
Dialogues exploring behind-the-scenes stories, "mission impossible" challenges, and the depth, distance, and intensity of experimental productions.

Special Guests:
  • Elysa Wendi (Founder and Curator of  Cinemovement, Singapore) – Joining live online
  • Peng Hsiao-yin, Artistic Director of Dancecology,  and founder of Dancescreen Collective from Taipei. On-site discussion

Event details:
Date & Time: January 16, 2025 (Thursday), 20:00–22:15 
Language: Discussions to be conducted in Mandarin primarily
Venue：Centro Diocesano dos Meios de Comunicação Social
*Entrance via the foyer of Cineteatro Macau*

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遊歷身體檔案：躍動及迴響（巴西/葡萄牙x新加坡x澳門）
​Body as Archive: Act and Re-Enact (BR/PT x SG x MO)

從身體檔案（body archives）的角度切入，會帶出許多關鍵詞：身體、檔案、時代、典藏、跨越、連結、紀錄、解構、重塑、拼貼、文化載體......

ROLLOUT邀來兩位來自里斯本及新加坡之好友，兩人在不同階段以不同方式回顧了大量自身相關的檔案和影像，包括一系列自主和非自主記錄的影像和各種形式的表演、生活及身體記錄，跨越地域、世代、城市與自身，彷如一系列解碼和重新編碼的過程，重塑一個關於”自身”的概念，這些符碼，如何重新拼貼出一個 beyond the known self？

特邀嘉賓（線上實時參與）：
  • Wura Moraes
  • 葉奕蕾(Elysa Wendi) 

活動詳情
日期：2025.01.17 （星期五）
時間：20:00-22:00
語言：對話將以英語為主進行（需要時會提供英中簡譯）
地點：Bookand. Cafe @ 澳門鵝眉街4號晉逸居地下B
From the perspective of body archives, this session delves into key concepts such as body, archives, time, preservation, connection, reconstruction, and cultural carriers.
Featuring two guest speakers from Lisbon and Singapore, the discussion will explore their personal archives from different stages of life, spanning both autonomous and non-autonomous recordings of performances and body documentations. Through a process of decoding and recoding across regions, generations and contexts, how will these archives reconstruct the notion of "self" beyond what was known? 

Special Guests (participating live online):
  • Wura Moraes (Brasil/Lisbon)
  • Elysa Wendi (Singapore)

Event Details
Date & Time: January 17, 2025 (Friday), 20:00-22:00 PM
Language: Primarily in English, with brief English/Chinese interpretation if necessary
Venue: Bookand. Cafe @Rua de Inácio Baptista 4B, São Lourenço 
特邀嘉賓 Special Guests
Peng Hsiao-yin 彭筱茵
​彭筱茵
舞蹈生態系創意團隊藝術總監、舞映島－台灣舞影聚落創辦人。國立台北藝術大學舞蹈創作所碩士、國立臺灣大學農藝系。曾任新古典舞團舞者。以「為自然發身，與自然共舞」理念，從事舞蹈影像和環境劇場創作和教學。近年積極推動舞蹈影像工作坊，包含與北藝中心、澳洲Circling the Brink合作，及發起「舞映島－舞蹈影像環島計畫」，以駐地創作和工作坊形式進駐台灣多處。曾獲2017跳格國際舞蹈影像節競賽首獎、2013台新藝術獎「樹梅坑溪環境藝術行動」。

Peng Hsiao-yin
Peng Hsiao-yin is the Artistic Director of Dancecology, founder of Dancescreen Collective Taiwan. She is a choreographer, dance-film director, and dance teacher. Peng received a B.A. in Agronomy and M.F.A. in Choreography. 
Her practices focus on the connection between nature’s ecosystem and dancers’ movements. She enjoys developing interdisciplinary and intergenerational works, teaching and dancing with different people. She won the 2017 1-min dance-film competition of Jumping Frames International Dance Video Festival. In 2020 till now, she curated “Island Dance Film Project” including professional workshops and resident film productions around Taiwan.
Elysa Wendi 葉奕蕾
葉奕蕾
是居港的新加坡籍舞蹈藝術家和影像創作人，於2008年告別其十年職業舞蹈生涯後，即展開一段舞蹈概念的探索之旅，包括透過電影媒界、多媒體表演項目及策展等。她是Cinemovement平台的創辦人之一，該平台透過建立工作室及文化交流項目，推廣和輔助新的舞蹈影像製作。自2018年起以獨立策展人的身份參與跳格國際舞蹈影節，以及其他舞蹈／影像項目。她游走於編舞研習和影像研究之間，兼收並蓄，自成一套創作方法，尤其熱衷於在作品中探索地方、時間、歷史追溯和印象等題材。其中一齣備受注意的作品《慢遞1958》，糅合攝影、歷史和戲劇儀式，榮獲南方影展最佳實驗片獎。
Elysa 曾於2016及2018年在澳舉辦舞蹈影像實驗室，並帶領來自新加坡、香港、澳門之編舞及導演一起進行環境觀察、一起進行在不同空間之舞蹈編創及拍攝，與澳門結下不解之緣。

​Elysa Wendi ​
Elysa Wendi is a filmmaker and artist-curator based between Hong Kong and Singapore.
Preoccupied with the abstraction of memory from place, time and biographical traces, Wendi explores these themes in her live and filmic works. Her nomadic childhood growing up in between lands of SouthEast Asia has an impactful influence and consciousness on her practice and most of her works. Straddling the amorphous boundaries between borders, languages, and histories, Wendi works through hybrid documentary projects, audio-visual essays, and meta- choreographic rituals to explore the auto-fictional narratives of bodies and movements.
In 2015, She co-founded Cinemovement, a platform facilitating trans-disciplinary creations through a laboratory, with Singaporean film producer Jeremy Chua. Her artistic accolades include winning Best Experimental Film at the 2018 South Taiwan Film Festival, Best Documentary at Hong Kong ArtHouse Film Festival 2020 and the Gold Award IFVA Hong Kong 2023 open category with her film As I Imagine My Body Moving. Her recent film Room 404 was screened in 74th Berlinale Forum Expanded 2024 and won the best short documentary award in South Taiwan Film Festival 2024.

WURA MORAES
​WURA MORAES
A Portuguese-Brazilian dancer and choreographer, Wura Moraes holds a degree from Faculdade Angel Vianna(Brazil), and trained at École des Sables (Senegal), EDIT
(Burkina Faso), and FAICC (Portugal). She co-created Alienada and Agente with Joana Lopes, and was a performer in Emmanuelle Huynh's Cribles7Live-Porto. In Bahia, she
developed the contemporary dance research platform Autodidança with Loke Wolf. She coordinated AgitLAB (Águeda), curated by Paulina Almeida, co-produced LAMB -LAND ART MOVING BIENNAL, coordinated Dance Temple with Malgosia Sus, and co-directed the performance-traject Ilhas Suspensas with Darya Efrat, both for the Festival dos Canais (Aveiro), and created the solo CERN, presented in Águeda and Marrakesh.

As a performer, she has participated in NKISI by Gil Mac, Time Capsule at JAB/Croatia, Serei/Afrodiasporic by Dori Nigro, Eco_Movements by Plastic Art Performance Collective/Romania, Un Enclos (pour l’impératrice) by Charles Cardin-Bourbeau, Feijoada by Calixto Neto, and in the Greenhouse project invited by Mónica de Miranda. Her lateste dance solo is HENDA I XALA, a co-production with Festival DDD 2024, where it premiered, being subsequently presented at the Teatro Miguel Franco (Leiria).
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